Oh, Eight Songs

I was combing through the last year in music and I'm going to do something a little different. The thing to do usually is to make a list of the year's best albums. But let's be honest. Not only are you unlikely to go out and buy those albums, most people don't even consume music via the album anymore. It's all about single songs.

So these are eight songs I chose to represent the music which turned me on in the last year. These were bands and/or songs a regular person wouldn't have stumbled into just by listening to the radio. (Sorry Kanye and Coldplay.) At the same time I also wanted to highlight music that most people could enjoy too. (Sorry Battles and TV On The Radio.) Most of all though these were eight songs I listed to often during the year. When I think back on 2008, these songs will be the soundtrack.

And just for added difficulty, let's make them appear in the same slot as they do on the album from which they come (our first song is first on its respective album, the second song comes second on its album, etc.) and do it in under thirty minutes.

1.) Colin Meloy "Devil's Elbow" - When I think of 2008, I will think of being in Chicago. When I think of being in Chicago, I will think of three things. The first one is obvious. The second is the good times. The third will be riding the train. I rode the CTA everywhere and on the nights when I didn't have a companion I was plugged into my MP3 player.

Colin Meloy's live solo album got a lot of spins on my way to work, going to baseball games, going out to shows and most often when I was going home. I will hear this song or any from this album and forever think of the Clark and Division stop, the stretch between Sheridan and Howard and standing at Main in the morning. Add in that it's a great song and "Devil's Elbow" spells 2008.

2.) Vampire Weekend "Oxford Comma" - Have you ever heard a buzz band that everyone seems to love and they really are that great? It's not hype. It's actually music journalism fulfilling its purpose and bringing good music to light. I had a few of those this year.

Vampire Weekend was one of them. Maybe it's because all of my musical taste is calibrated to The Clash but I always love music that isn't familiar. I like weird sounds and sounds that are presented in a different way than I've heard. Being able to do that within a three minute pop song though is a real feat.

There's something that sounds very close to Jamaican reggae about Vampire Weekend's music. Their influences are actually West African and I think that's something Joe Strummer would be way into if he were still alive. I think that because it's stuff I'm way into myself.

3.) Kings of Leon "Sex On Fire" - One of the great quotes I like to pull from my life is by Gregg Allman. He was talking about the term "Southern rock." He said (and I'm paraphrasing) "All rock comes from The South. So saying 'Southern rock' is a little bit like saying 'rock rock'." Normally when we think of music that rocks, we think of the music which followed and drew influence Led Zepplin with shredding guitars, bombastic drums and soaring vocals. Allman is right though. Even the almighty Zepplin sound draws its roots in The South.

That would mean the purest form of rock made today is the "rock rock" being made by bands like My Morning Jacket and Kings of Leon. I mean what's more sex and drugs and rock and roll than a song called "Sex on Fire"? All the more to the point when you dive into the lyrics about the visceral and raw elements of making sweet love. Wrap it all up in a melody and a beat that makes you want to drive very fast down the open road and you'll be wrapping yourself in the American flag in no time.

4.) MGMT "Electric Feel" - MGMT was another buzz band that lived up to their billing. A lot of music played on synthesizers ends up sounding like its been run through a computer and filtered into bleak dystopia. It's just what happened because Bowie and Eno and their ilk were the first guys to get there and start using these new tools and that's the type of music they make.

What makes MGMT so weird and interesting is they make music about a psychedelic world without technology. They present a conundrum when they use a syntesizer to sound like a "4000 year old Peruvian flute" as Andrew VanWyngarden says in the behind the scenes video to this song. For forever the idea of more authentic and earthy music is that which is played on instruments made of wood. (See: any coffee shop this Friday or Saturday) Yet here are these two guys working with The Flaming Lips' producer to make a song about a girl from The Amazon who can create electricity from her hands. It's the type of music which appeals to your head, your heart and of course your ears.

5.) Broken Social Scene "Churches Under The Stairs" - When I think about concerts I saw this last year I'll think of the peak performances. From Pitchfork Music Festival to Lollapalooza to Rocktober to a set of shows on either side of Snelling on University to a few more great shows at First Ave, I saw a lot of really great live music this year.

Broken Social Scene contributed a large part of that great live music. I saw them not once, not twice but three times this year and each time my love for them deepened even further. Each concert was like a date. On the first date at Lollapalooza I got a quick brush-up on their sound and an introduction to some of the songs I didn't know. The second date later that evening at The Metro was confirmation that first blush wasn't a misread on my part. Then by the excellent concert of a third date at First Ave during Rocktober I had made my decision and I was wearing my good underwear. I fell for this band the way you're supposed to; by seeing them in their peak moment and being rewarded as you do.

6.) Flobots "Handlebars" - This song gives me an opportunity to give shoutouts and for wildly different reasons. First I have to shoutout Willibuster, Ghost and Emily Osby. When I was visiting home during August, we were hanging out with one of Will's high school friends and the night devolved into what most parties usually do with all of us sitting around looking up stuff on YouTube. It was even Will himself who pulled up the video for this song and every time I hear this song or watch the video I think of chilling with those three.

The other person I get to shoutout is K10. Eight years younger than me and full of opinions, K10 is more than willing to tell me my musical taste sucks and that I've gone soft in my older age. Which is exactly the thing I love about him. Ever said that if you had the opportunity to talk to yourself at a younger age you'd probably just argue about stuff? I don't have to imagine what that would be like to argue music with my younger self because of this guy. Except my younger self really likes The Flobots. "As iron sharpens iron, so a man sharpens his friend."

Additional shoutouts for additional and different reasons to Dan, Patrick, Noha, Luke, Pete, Peder, Jim, Abby, Stensby, Christian, Nicky, SayRock Brian, Ed, TK and all the people that were at Doomtree Blowout. Thanks for making "going to shows" the new black in '08. Let's go get them swimming pools in '09.

7.) The Black Kids "I'm Not Gonna Teach Your Boyfriend To Dance With You" - Guess "What?". Yet another buzz band that lived up to their billing was The Black Kids. I got this CD during the month I was subletting in Evanston and it was just a matter of having heard about them a lot on the periphery and finally taking the whole CD plunge. It really is amazing doing that worked out so well for me this year.

Okay, what do The Black Kids sound like? It's like The Cure was brought to the 21st Century and decided to write in the "Just Like Heaven" mode. That mournful quality is still there as are the crazy good synth lines. The difference is Robert Smith is playing with The Revolution and that means really danceable sped-up songs underneath the heartache and loss. It literally is the type of music which can be called 1980s retro and not have that be a derisive term.

8.) The Hold Steady "Stay Positive" - Is there any greater summation of the year of Our Lord two thousand and eight than "You gotta stay positive!"? Yeah, things went into the trash this year. At the same time a new era is dawning. Things are always darkest before the dawn and sometimes things are so bad the only place we have to go is up. In 2008, we all had to stay positive or else we'd lose our minds. But by staying positive we'll see ourselves through.

Now pour that over the type of big anthemic hooks that Springsteen and U2 only stumble upon anymore and you have a song you actually can listen to and come out feeling positive and part of something larger. The song isn't suggesting that we stay positive and then leaving us to figure out how to do that. It is infused with the raw energy and mass needed to sustain and to even see the way through to thriving. It doesn't move you in the usual way of touching your heart. It should swell in you the defiant walking-into-the-wind attitude needed to tough things out. Because, as I said before, this year more than ever you gotta stay positive.